Schiller: Aesthetics and philosophy of art

Abstract

The author analyzes the extent to which Schiller's thematisation of poietic phenomena can be seen as aesthetics, and in which as philosophy of art. This question actually examines the fundus of Schiller philosophy, because it considers whether it is closer to Kant or it represents important source for the separation of Kant, carried out by Fichte, Schelling and Hegel. Kant's influence to Schiller's philosophical concept is visible in the field of aesthetics, while Schiller's influence to Schelling and Hegel can be seenin founding of the philosophy of art. In this way, the aesthetic prism shows the scheme through which the whole philosophy of German idealism moves from Kant to Hegel, ie - develops from the subjective to the absolute idealism.