Please use this identifier to cite or link to this item:
https://open.uns.ac.rs/handle/123456789/3908
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Popović, Una | en |
dc.date.accessioned | 2019-09-23T10:30:51Z | - |
dc.date.available | 2019-09-23T10:30:51Z | - |
dc.date.issued | 2016-01-01 | en |
dc.identifier.issn | 18200958 | en |
dc.identifier.uri | https://open.uns.ac.rs/handle/123456789/3908 | - |
dc.description.abstract | Renaissance conception of poetics is discussed in this paper with respect to emphasized importance of imagination and innovation in the process of creation of the work of art. The importance of imagination is directly opposed to the Aristotelian concept of imitation, and its primacy shows the Aristotle's influence on Renaissance understanding of poetics, as well as its specific character made possible through the rejection of Aristotle. The development of an understanding of imagination as the origin of poetry in this paper is, in addition to the consideration of the concept of imitation, discussed with respect to the question of aesthetic pleasure, and to the issues of truth and morality. | en |
dc.relation.ispartof | Journal of Philosophy ARHE | en |
dc.title | Renaissance poetics: Imitation and imagination | en |
dc.type | Journal/Magazine Article | en |
dc.identifier.scopus | 2-s2.0-85019637179 | en |
dc.identifier.url | https://api.elsevier.com/content/abstract/scopus_id/85019637179 | en |
dc.relation.lastpage | 56 | en |
dc.relation.firstpage | 41 | en |
dc.relation.issue | 26 | en |
dc.relation.volume | 13 | en |
item.fulltext | No Fulltext | - |
item.grantfulltext | none | - |
crisitem.author.dept | Filozofski fakultet, Odsek za filozofiju | - |
crisitem.author.orcid | 0000-0002-3024-1345 | - |
crisitem.author.parentorg | Filozofski fakultet | - |
Appears in Collections: | FF Publikacije/Publications |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.