Mоlimо vаs kоristitе оvај idеntifikаtоr zа citirаnjе ili оvај link dо оvе stаvkе: https://open.uns.ac.rs/handle/123456789/1926
Pоljе DC-аVrеdnоstЈеzik
dc.contributor.authorIvkov, Vesnaen_US
dc.date.accessioned2019-09-23T10:18:35Z-
dc.date.available2019-09-23T10:18:35Z-
dc.date.issued2018-01-01-
dc.identifier.issn0580373Xen_US
dc.identifier.urihttps://open.uns.ac.rs/handle/123456789/1926-
dc.description.abstract© 2018 University Of Ljubljana. All rights reserved. From a phenomenological point of view, Sevdalinka - the urban song of the Bosnian-Herzegovinian population, has always attracted scholarly interest The presence of this form is evident in Serbia as well, performed only vocally/instrumentally and vocally-instrumentally combined. In the context of empirical research for this study, a scaling technique assessment scales were used. The study is aimed at sublimating the opinions of renowned vocal and instrumental music performers (N-16) in Belgrade, in order to gain a detailed insight into the particularities of the interpretations, as well as the musical and aesthetic characteristics of Sevdalinka.en
dc.relation.ispartofMuzikoloski Zborniken
dc.titleSevdalinka as perceived by music performers in Belgradeen_US
dc.typeOtheren_US
dc.identifier.doi10.4312/mz.54.1.89-106-
dc.identifier.scopus2-s2.0-85052094602-
dc.identifier.urlhttps://api.elsevier.com/content/abstract/scopus_id/85052094602-
dc.description.versionUnknownen_US
dc.relation.lastpage106en
dc.relation.firstpage89en
dc.relation.issue1en
dc.relation.volume54en
item.fulltextNo Fulltext-
item.grantfulltextnone-
crisitem.author.deptAkademija umetnosti, Muzički departman-
crisitem.author.parentorgAkademija umetnosti-
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